Zdeněk Šorf

Born
1965, Prague, Czech Republic

Studio
Prague

 

EDUCATION

1975
Private studies of art in studio with Prof. Fr. Nedved

1990-94
Head master of painting studio, Private school in Prague

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

PRIZES

2001
Winner of Annual Competition, Museum of Contemporary Art, Balboa Park, San Diego, USA

1999
Franz Kafka Medal, European Circle ”F. Kafka” Prague, Czech Republic

1996
Prize of the President Masaryk, Academy of Arts, Prague, Czech Republic

 

PUBLICATIONS

2008
ESTATEMAGAZINE, Prague, No. 4, page 4
MADAME, Prague, No. 2, page 55, 62-63
LUXURY, Prague, No. 3, page 100
PRAGUE LEADERS MAGAZINE, Prague, No. 2, page 2
TOP CLASS, Prague, No. 2, page 123

2007
REMARXY, Prague, winter, spring, page 20-21
PRAGUE LEADERS MAGAZINE, Prague, No 1/2007
SLOVNIK CESKYCH A SLOVENSKYCH UMELCU, 1950-2006, Vytvarne centrum Chagall, page 286
ART KIEV art fair, catalogue, page 288-289
LORRAINE HARRISON, Pferde in Kunst, Fotografie und Literatur, London, page 164, 342, 343, 364

2005
REMARXY, 2002/2003, Prague, page 26
KDO JE KDO (WHO IS WHO) v CR, Prague, page 648
GUEST LIFE - Monterey Bay, page 113

2002
ART NEWS, New York, Novenber Issue, 2002
ART IN AMERICA, New York, Annual Magazine, 2002-2003
GALLERY GUIDE, California, ”Portal to the fine arts”
ART IN AMERICA, Annual Magazine, 2001-2002
MODERN PAINTERS, London, September Issue, 2002
ART NEWS, New York, September Issue, 2002
ART IN AMERICA, New York, September Issue, 2002

2001
SAN DIEGO ART INSTITUTE, catalogue, Regional artists show
AVILA NEWS ”Avila adds another attraction in the form of fine art, June 1,

2000
STRECHA, Prague, Zdenek Sorf, July
STORY, Prague, Zdenek Sorf, October
Lorraine Harrison, HORSE: From Noble Steeds to Beasts of Burden, ISBN # 0-8230-2334-6, Watson-Guptill Publishers

1999
GASTRONOMICKA REVUE, Ze spolecnosti”Zdenek Sorf, June
METRO, Prague, ”Poezie malovana stetcem”, October 21,

1998
THE PRAGUE TRIBUNE, No, 33, page 53
PRAGUE BUSINESS JOURNAL, Zdenek Sorf - Hledani
QUO, Prague, Zdenek Sorf - Hledani, February,
ESQUIRE, Spolecnost, Hotel Diplomat, April,
GASTRONOMICKA REVUE, Prague, Spolecnost, Sorf opet sokoval, April,
ANONCE, Prague, Zdenek Sorf, November 16,

1997
RING, Prague, V parlamentu se krade?, March 18,

1996
RONDO, Celle, Germany, Kunst 1999 in der Congress Union, March 14,
PRAGUE NEWS, Mediterraneo restaurant Prague, Zdenek Sorf, June,

1995
KOKTEJL, ”Z Kremencove ulice za ocean”, March,
BLESK, “Jak se zda, krade se opravdu vsude”, March 5,

1994
VECERNIK, Prague, ”Zdenek Sorf”, March 10,
TVAR, Prague, “Tipy Tvatu”, March 10,
BLESK, Prague, ”Talent objevila cikanka”March 5,
MORAVSKOSLEZSKY DEN, Ostrava, ”Sorf in Audi Gallery” March 24,
DENNI TELEGRAF, Prague, ”Zdenek Sorf”, March 8,
MLADY SVET, Prague ”Ze spolecnosti”, April 2,
MELODIE, Prague, ”Zdenek SORF”, December 7,

1993
BLESK, Prague, ”Puntikovana krava poleti do N.Y.” March 2,

1992
BLESK, Prague ”Sorf mlci a maluje”, January 3,
DOBRY VECERNIK, Prague ”Zapisnik”, February 28

 

ABOUT THE ARTIST

The paintings of Zdenek SORF, a Prague artist, express his discontent with and criticism of the official arts of the communist regime. Like many artists of his generation, he was seeking new avenues of expression. He was passionate to share his visions, and in 1990 he began teaching young people while at the same time he was finding his own unique voice as an artist.

In his first stage of development (1990 to 1995) Sorf focused on the beauty of common everyday objects. He wanted to express the poetic character of things, often combining poetry with his painting. In doing so, he was paying his respects to the spirit of Poeticism - the 1920`s and 1930`s avant garde of Czech art. In what he sees as his next stage of development, magical realism (1995 to the present) he joins a human body and canine head. He calls this the new synthesis. Some of these works are an homage to Velasquez, Botero and Piero della Francesca. Many are covered in handwriting and again combine art and poetry. Sorf is one of the most original and extraordinary talents to emerge from Eastern Europe onto the international art scene.

Zdenek Sorf is classified as an alien of extraordinary ability in the field of arts, an artist whose style is very unique and exceptional. He does not copy any particular master painter, rather paints in a style which is uniquely his own. Through his paintings he expresses the poetic character of things, combining poetry and painting the spirit of poeticism. Sorf seeks mysterious reality in his technological motifs depicting objects of everyday life, coldness mingling with hallucinations in the color shades of things. He applies figurative multiplication; i.e. he arranges figures or objects in a parallel composition, painting a variety of subjects such as animals, fruits, still life, using oil on canvas or linen.

Zdenek Sorf's paintings were first in EXPOCENTRE RAPID GALLERY in Prague, Czech Republic in 1991. Since that time, his paintings have been exhibited in various other art galleries in Czech Republic, Germany, Austria, Belgium, Kuwait, Holland and Beverly Hills, Chicago, San Francisco, Santa Fe, New York, Los Angeles, San Diego. In 1996, he was awarded the prize of Masaryk by the Academy of Arts, Prague, Czech Republic and 1999 he was awarded Franz Kafka Medal, European Circle Franz Kafka, Prague, Czech Republic. I believe Mr. Sorf is an artist of extraordinary imagination, skill and creativity.

Magical realism reflects the neosurrealistic concept of non-consciousness, a free stream of imagination without a sense of control, vision being its magical component. Sorf developed a mysterious reality using technological motifs that depict common subjects. By depriving them of their contents, he changes the context of life and emphasizes the poetic character of painting. In new synthesis, Zdenek Sorf is influenced by other masters… mysterious paintings that redefine Velasquez and Botero. The spacious, suggestive canvases concentrate our view on a figure that has a dog's head expressing such humanity that we trust and love this being. Sorf divides large areas of some of the paintings with letters or numbers, dramatically bridging the new and the old. The Prague artist non - aggressively shows us an involved observation mixed with light irony.